Pin up art

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Pin up art

The red lip and winged eyeliner made a re-emergence in , with singer Katy Perry being the most accessible example of modern pin-up makeup. Some people believe there is a lack of representation in the media of Black women as pin-up models, even though they were just as influential to the construction of the style.

Although pin-up modeling is associated with World War II and the s, it developed into a subculture which can be seen represented in the styles of some celebrities and public figures. The burlesque performer Dita Von Teese is often referred to as a modern pin-up. Katy Perry makes use of the ideas associated with pin-up modeling, and has included these in music videos and costumes. The pin-up modeling subculture has produced magazines and forums dedicated to its community.

Delicious Dolls , [ 32 ] a magazine that began in and has both a print and digital version, was described in as "the most-liked" pin-up magazine in the world. Within this subculture, there are opportunities to perform in pin-up contests, including one which takes place during the Viva Las Vegas rockabilly festival.

Though Marilyn Monroe and Bettie Page are often cited as the classic pin-up, there were many Black women who were also considered to be impactful. In the s the most notable black burlesque dancer was Josephine Baker. Dorothy Dandridge and Eartha Kitt also added to the pin-up style of their time, using their looks, fame, and personal success.

African-American pin-up finally gained a platform when the magazine Jet , which published material related to the African-American community, was created in Jet supported pin-up with their full-page feature called "Beauty of the Week", where African-American women posed in swimsuits and the like.

Historically, Black women in pin-up are still not as common as their white counterparts. However, the recent revival of pin-up style has propelled many Black women today to dabble with and make works based on the classic pin-up look to create their own standards of beauty.

Contents move to sidebar hide. Article Talk. Read Edit View history. Tools Tools. Download as PDF Printable version. In other projects. Wikimedia Commons. Model whose mass-produced pictures see wide appeal as popular culture. For other uses, see Pin-up disambiguation. This article has multiple issues. Please help improve it or discuss these issues on the talk page. Learn how and when to remove these messages. Please help improve it by rewriting it in an encyclopedic style.

June Learn how and when to remove this message. The examples and perspective in this article may not represent a worldwide view of the subject. You may improve this article , discuss the issue on the talk page , or create a new article , as appropriate.

March Learn how and when to remove this message. History [ edit ]. Feminism and the pin-up [ edit ]. Hair and makeup style [ edit ]. Pin-up in the contemporary age [ edit ]. African-American pin-up [ edit ]. Sign up Log in. Search icon An illustration of a magnifying glass.

Metropolitan Museum Cleveland Museum of Art. Internet Arcade Console Living Room. Open Library American Libraries. Search the Wayback Machine Search icon An illustration of a magnifying glass. Sign up for free Log in. It appears your browser does not have it turned on. At age 26, Moser moved to New York City to pursue her career in art.

Alice like a child and not take her seriously. Phillips says Mozert made her wholesome all-American girls look at least 17 years old. Soon her whole family, her mom, her dad, her brother, and her sister, changed their last name to Mozert.

Her brother was also her favorite lip model, for images of women. In five short years, Mozert had taken the illustration world by storm. By , she had already painted covers for movie magazines like True Confessions , worked with major publishers like Dell, Fawcett, and King Features, and created images for ads for Kool Cigarettes and Dr.

Of course, the petite woman had to have a big personality to keep the men from running her over. She told Phillips she never got along with fellow pin-up great Rolf Armstrong, who was aloof, but George Petty was a pal on the party scene. I returned the compliment! This inspired Mozert, at age 33, to take up pin-up art. Studying the work of Petty and Elvgren, she made several more nudes, which she sent to David Smart of Esquire. Smart was terribly handsome and he was attracted to me, too.

Esquire was considering me as a replacement for Vargas and Petty. This led to a year relationship with the firm. And Mozert did, in fact, pose for many of these pin-up paintings herself. According to Phillips, she would position her camera and adjust the lights using a large mirror, change into something skimpy, and have her assistant Sunny Johnson take the snapshot. While Mozert often painted her own body, Sunny would typically pose for the faces.

In , the year-old moved to Hollywood with her husband the second of her four short-lived marriages. Mozert kept painting until , when she injured her shoulder in a fall. Ballantyne and her famous daughter were tracked down in by Tampa Bay Times reporter Jeff Klinkenberg, who visited them in Ocala, Florida, just two years before the artist passed away.

I got the feeling she knew how to handle hayseed reporters. Joyce Ballantyne, 86, lifts a martini glass to a reporter at her Ocala, Florida, home in Photo by Stephen J.

She remembered the day when the Disney representative heard her girlish, teenage voice over the phone and rescinded the scholarship. Women married and had babies and gave up careers, she was informed. A woman was a poor investment. According to Klinkenberg, by 25, she had married artist Eddie Augustiny, with whom she would have a daughter named Coby, and—as would be expect of a free spirit—learned to fly airplanes.

Klinkenberg agreed with that assessment. Often she used herself as a model, gazing into the mirror while painting a buxom doll who later would be admired in a greasy garage by drooling auto mechanics.

At some point, she divorced Augustiny and remarried dashing TV announcer Jack Brand, who modeled for her, too. Her first cover image was of a voluptuous mermaid, modeled after herself, pranking fishermen by putting a tire on their hooks. Like her friend and colleague Gil Elvgren, Ballantyne specialized in putting girls in accidentally sexy situations.

But her biggest break came when the Shaw-Barton calendar company hired her in , when she was 36, to paint a page calendar. Her calendar was such a hit that it had to be reprinted multiple times.

This success led to gigs making more sexy calendars for Louis P. Dow company and Goes Lithography, as well as doing images for Esquire and Penthouse magazines. The trick is to make a pin-up flirtatious. You want the girl to look a little like your sister, or maybe your girlfriend, or just the girl next door.

Unlike other pin-up artists, Ballantyne never got away from advertising illustration. Ballantyne and her daughter, who modeled for this ad at age 3, were so bored with the iconic Coppertone baby.

It started when Coppertone asked illustrators to submit ideas for a billboard commission. Ballantyne won the job in and created the image of a pig-tailed girl who finds a dog pulling down her swim trunks, which was loosely based on an idea by pin-up artist Art Frahm. She posed Cheri, who was 3 years old then, in the backyard, snapped some photos, and drew the image. And poor Cheri Brand Irwin has spent her life dodging endless lascivious comments about her back end.

In , the Brands moved to an old three-story building in downtown Ocala, Florida, to be near her family. The year-old artist was none too happy trading the glitz of the big city for small-town life. Cheri and her husband moved into the top floor of her building to take care of the artist, who kept drinking her evening martini and smoking cigarettes until her death in Of the three, Pearl Frush is the most mysterious. In their book, Meisel and Martignette explain that her tendency to paint in watercolor and gouache made it difficult reproduce those works in large numbers.

One rumor has her birth in , via the census. Most sources say she was born in This Pearl Frush painting in particular calls to mind the work of Alberto Vargas. I guess I enjoyed it more than most children because I kept at it and was soon begging my mother for paints, modeling clay, etc. She was cooperative but not enthusiastic, as she believed that artists starved in garrets and only became rich and famous after they were dead.

Then starting in , she made a splash at Gerlach-Barklow, who published several of her most successful pin-up calendars including Liberty Belles, Girls of Glamour, and Glamour Round the Clock.

Frush loved swimming, so she painted a lot of water-sports scenes, enough for a whole Aqua Tour calendar. My husband, Bob, plays cello in the Atlanta Symphony Orchestra and writes music. He also plays trumpet. For excitement, we play chess almost every day and usually getting in three or four games. I win one out of three and keep hoping to improve. According to this letter, Frush may have been a little more shy and humble than Mozert or Ballantyne, which might be part of the reason she produced less work.

I dislike having my picture taken except for snapshots. A pretty-girl gouache by Pearl Frush at the height of her artistry. Via GrapefruitMoonGallery. At this point, she was at the height of her career, producing almost startling photorealistic images. In the s, Robberson Steel Company of Oklahoma City was so happy with their Frush advertising calendars from Gerlach-Barklow, they commissioned her to do a series of glamour paintings, the last one in Of course, the era of the illustrated advertising pin-ups started to fade in the s and s, as the technology for reproducing color photographs got better and better.

And Meisel also blames the rise of feminism and political correctness. Or to give them as gifts to your best salesmen, because they might be saleswomen. Dahlsad also wonders if Frush, Mozert, or Ballantyne ever felt conflicted about creating these innocent-but-sexy women to be ogled at factories and mechanic shops. But business was business, and one had to meet the demand. Everyone throws their cat out for the night in a translucent nightgown, right?

This is a recurring theme in Ballantyne pin-ups. For more information on female pin-up artists, check out Louis K. Meisel and Charles G.

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ИНТЕРНЕТг. · It’s easy to think of pin-up art as a charming relic of the old boys’ club—images that might line the walls of a Mid-Century smoking room where Don Draper and Roger Sterling slap each other on the back. And the names of the artists that come up over and over again are men: Alberto Vargas, George Petty, and . ИНТЕРНЕТNevertheless, Pin-Up art has a rich history – one that skirts risqué and highlights cultural change within American societal and cultural norms. The term begins at the turn of the century with the burlesque scene and the golden age of print media. Fig. 2 George Petty Chicago World’s Fair Poster.

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